This is what I do: Project 3.2.2 REpost: Visual Style Reference

Art Movement

Constructivism was the last and most influential modern art movement to flourish in Russia in the 20th century. It evolved just as the Bolsheviks came to power in the October Revolution of 1917, and initially it acted as a lightning rod for the hopes and ideas of many of the most advanced Russian artists who supported the revolution's goals. It borrowed ideas from Cubism, Suprematism and Futurism, but at its heart was an entirely new approach to making objects, one which sought to abolish the traditional artistic concern with composition, and replace it with 'construction.' Constructivism called for a careful technical analysis of modern materials, and it was hoped that this investigation would eventually yield ideas that could be put to use in mass production, serving the ends of a modern, Communist society.

Artist

Vladimir Stenberg (April 4 [O.S. March 23] 1899 – May 1, 1982) and Georgii Stenberg ( October 7 [O.S. October 20] 1900 – October 15, 1933), Soviet artists and designers.

Artworks

What is extraordinary about the Stenbergs' posters, beyond their amazingly expressive and dynamic use of color, composition and typography, which has rarely been equalled, is that, though they look like photomontage they are actually almost entirely illustration. The ever-inventive Stenbergs had constructed a prototype overhead-projector which would allow them to project filmstrips onto their posters and to copy and embellish faces and bodies (as well as to distort them if necessary), hence their photorealist look. This gave their posters a consistency and quality that would have not been possible to achieve, due to the limitations of the printing processes available at the time, by cutting and pasting photographs onto paper.